Do You Have What It Takes To Be A Riff Ninja?

Learn 48 Chords in 9 Minutes

Written on October 27, 2009 by in Beginner, Chords
Share

.


In this video I show you how to use 4 chord formations to create 48 different chords. The 4 basic chord patterns are shown below:

6 – 5 – 4 – 3 – 2 – 1 (string number)
0 – 2 – 2 – 1 – 0 – 0    “E” Pattern Bar Chord
0 – 2 – 2 – 0 – 0 – 0    “Em” Pattern Bar Chord
X – 0 – 2 – 2 – 2 – 0    “A” Pattern Bar Chord
X – 0 – 2 – 2 – 1 – 0     “Am” Pattern Bar Chord

When read the patterns above, if there is an X, don’t play that string. Where there are numbers, make sure you’re pressing the correct string on the given fret number.

Comments or questions? Please leave one below, and subscribe to the comments for this post so you’re able to see the responses.

62 Comments - Leave a comment!
  • Chris

    I have a 4 string bass guitar. When I found your website it said I would learn how to pay bass. Where is the lessons on bass?

  • Jonathan

    Hi Chris,

    I play bass too – I have a 5 string Ibanez. Where did you read that bit about learning to play bass here though? As far as I remember I haven’t made mention of that anywhere, as the focus of this particular site is on the guitar (though some things are still relevant to the bass). So to answer your question, no, I don’t have any bass-only lessons on this site.

  • Haylie

    Um….what if I can’t bar? What do I do then? Just learn all the open chords there are and deal with it?

  • Jonathan

    Hi Haylie – if you can’t bar yet, that’s ok. Don’t abandon hope though :)

    Learn the open chords, and checkout the lesson on power chords as well. In time with practice your fingers will get stronger and you’ll be able to start barring certain chords.

  • Donna

    This video would have been well worth the time if Jonathan were to be sitting down and having the camera focus in on the finger positions (being placed on the strings) instead of us watching the back of his hand

  • Charles

    I agree with Donna about not being able to see your hand that well. Perhaps you could put the camera at a more elevated position or something? Or maybe you could sit as she suggested. Good chord teaching though.

    By the way Donna, if you are trying to do full bars on a steel string acoustic, that can be much more difficult than playing full bars on an electric. If you get light or “Slinky” strings you can bar really easily. Certain guitars can make it easier too if the strings are closer to the frets. I have noticed that Telecaster’s are really really easy to play in this sense. You should go to guitar center and test playing a Fender Telecaster. See how you like that.

  • Jonathan

    Hi Charles,

    Thanks for your input. Yeah, this was one of the first lessons I put online, and I’ve learned a bit since then. One day I’ll get around to re-doing it I guess with a better camera angle etc. You’ll see as you go through the lessons that I’ve started zooming in more to get right in close on the left hand, and also sitting on a stool. Got one for $5 :)

  • Jonathan

    Oh, and excellent point about electric guitars being easier to play – although I would add that any properly setup electric will play just as well as a Telecaster – as long as the action and the truss rod are properly adjusted.

  • Madeline

    Thanks for the video! I’m really digging it. My fingers aren’t quite strong enough yet either to play bar chords, but I imagine they’ll work their way to it.

  • Jonathan

    Yup, your fingers will get much stronger with practice…. you can start with power chords first if you don’t have quite enough strength yet.

  • alicia

    hi my name is Alicia and i just got my guitar for Christmas.I’ve watched videos on you-tube about how to play the guitar but all that i have seen is people that play with there right hands, but i am a lefty. what should i do so i wont have to play backwards or upside down?

  • Jonathan

    Hi Alicia – did you get a left-handed guitar? That’s the first step. Other than that, you’ll just have to watch close what people are teaching, and then do the exact same with your opposite hand. It’s a little more work perhaps, but all the fingerings and principles are exactly the same, just played on the other hand.

  • maggie

    I got 100 percent satisfaction from this lesson! I have been working on this off and on for a long time. You have made this very clear for me. The toughest part was making sense of the actual chords up and down the neck, I was struggling to figure that out, it just did not click. So, this was real easy, and I am very pleased…Now, if I can make heads or tails of I IV V, I will be playing like a pro, but it is not as straight forward, and I am stuck trying to figure out the EF and BC T and ST part.
    Bue, for now, I love this, well presented!
    Maggie

  • Jonathan

    Thanks Maggie! =)

    Regarding the I IV V bit – that ties together with these power chords quite closely actually. Each fret on your guitar is a semitone (ST). Normally, it takes two semitones to make a tone – the only exceptions are between E and F, and between B and C. Those are naturally occurring semitones. In other words, there is no E#, you go straight to F. Hope that helps.

  • maggie

    I am getting a glimmer of hope in one area, but a bit of a block when it comes to ‘building a major scale’.
    When I am trying learn the TTSTTTTST, I cannot get my mind around why the B turns into a C#, and the E turns into an F#. I know this is important to understand, and I am confused, because now I am going to E#…? right?
    Thanks for your help.
    Maggie

  • Jonathan

    Hi Maggie, the example you’re referring to is in the key of A. So if we follow the pattern… T T ST T T T ST then it goes like this

    A – Tone – B – Tone – C# – it goes to C# here, because the distance from B to C is a natural semitone, essentially as far as letter names go, it means there is no semitone between B and C, same as between E and F.

    So because we need to go up a full tone from B, we add 1 semitone, which gets us to C, then another semitone to get us to C#. Two semitones equals a tone.

    From there we carry on…

    C# – Semitone – D – Tone – E – Tone – F# – again, same thing… there is no E#, so we go E, add a ST to get F, add a ST to get F#.

    F# – Tone – G# – Semitone – A

    Does that help?
    (For anyone else reading this – I go into a lot more detail at OneFourFive.com)

  • maggie

    I am still struggling with this, I will watch and review ONEFOURFIVE again tomorrow, and see if that clarifies where I am struggling. I am determined to get this, it is only the ST part that is ‘tripping’
    me up. I am thinking that it should only go up a semi-tone, but it goes up a full tone, or two semi-tones. I see that ST, and I figure that B should go to C, a semi tone. ST. Am I mistaking how I am interpreting this?
    Thankyou for your patience.
    Maggie

  • Jonathan

    Yes, the distance between B and C is indeed a semitone. However, in the example in 145, I’m talking about the key of A. If you follow the T-T-ST-T-T-T-ST rule, then when you get to B, it calls for a T, not a ST. A ST would get you to C, however you need to go beyond that one more ST to create a full tone. Therefore, you get to C#.

    Try looking at the worksheet that came along with the lesson showing all the keys, perhaps that will clarify things in a different way.

  • maggie

    I think “I have got it”, I have interpreted it incorrectly….I have all my charts lined up on my desk…and I am seeing-the light. I will play with that for awhile until it gets comfortable, I thank you for your help. This is going to be very valuable information and obviously a useful and door opening tool.
    Yippee.
    Again, how you presented that bar chord lesson, just perfect for me. I am so happy with that, and if that was all I got from this whole tutorial, then I would still be ecstatic.
    Thanks.
    Maggie

  • Jonathan

    :)

  • Pratikash

    Hey !! I am beginner…whenever I try to play the C chord, I find it difficult to place my fingers on the strings, particularly the ring finger and the small finger. I had to really stress my fingers to hold in that position. [:(]
    Any tips of finger placing or any exercise on the same.

    Thanks
    Pratikash

  • Jonathan

    Hi Pratikash – it is difficult at first, and really the only tip I have is to keep at it. You’ll find it gets easier pretty quick with a little bit of practice.

  • Howard

    Hi, Just bought 1 4 5 I knew some of it , but I have a much better understanding now, I will watch the video a few more times. Question… You started talking about the 7th, and then said it wasn’t part of what you were showing on the video. What’s so special about it and where do 7th chords come into the 1 4 5 scheme? Are they just accent chords for the major chords?

  • Howard

    As for the beginners on this site, being someone who has been playing for a while and not having a clue what I was doing, the best advise I can give is KEEP AT IT!!! My goal is a better understanding of why I am doing what I am doing on the fretboard. But anything you do is better than not doing anything. Take small bites, and after a few years of study and work, you will get there…

  • Jonathan

    Hi Howard, the chords for the 7th note in the scale are typically minor, but they can really be anything. (Not to be confused with 7th chords… you could play all of 145 in 7th notes if you want). I actually follow up after the course a bit on that issue – you should be seeing an email soon talking about it.

  • Patrick

    Hi Jonathan and Maggie. Interesting though it is perhaps the simplest way to think of Tone Seperation is too for get t’s and S’s for the moment and think of a specific number as follows :-2212221 the intervals between tones. ie. between C & D there are two(2) frets or tones, and it works oll the way. I guess woever restrung our guitars way back when really did know what he was doing, although I somtimes wonder;).
    all the best Patrick

  • Don

    In regard to the Whole-tone / Semi-tone issue. Suggestion:

    Some people may be confused by using “T” and “ST” as the symbols. (too many “T’s”.) This is especially true on the White Board, where the letters are spaced more irregularly.

    Visually it is easier to use “W” for “Whole” tone and “H ” for “Half” tone.

    Then you see W W H W W H W et cetera.

  • Bill Gaetz

    Do you teach rag time, I’m very interested in learning this style especially for the banjitar I just purchased.
    Yours, Billy G.

  • Jonathan

    Hi Bill, sorry, but I don’t teach rag time specifically…

  • Dorothy Massenburg

    I am A beginger, thanks for your time. I know I can learn from you site

  • sandra johnson

    I’m really probably to old to start learning something, but after finding you, it looks so easy, thanks a million !!!!!!!! sandra johnson

  • wasted

    learned alot of chords in the first lesson, you forgot to mention how ez and fun
    i’m strumin’ and making up songs for my grand kids, stupid lyrics, but they like em’
    thanks wasted

  • Keith

    That was kool, I know I’ll need to watch it again to catch some of chords, but this was nice. I have to work on all of my bar chords but it will be fun going through them all.

  • Joe

    so why do you use the bar?
    if the 4 chords don’t show the bar, it shows open string so do you need the bar? or can u use these 4 chords down the neck with out the bar?

  • Jonathan

    Hi Joe – the quick answer… =) try the ideas you’ve suggested on your guitar, as your ear will quickly tell you what works and what doesn’t.

    The reason we use the bar is otherwise we’re left with open notes that don’t fit in the chord.

  • Don Calton

    I have started you dvd lessons. I have already been helped. Could answer a question? Where do I place the capo when I want to change
    Eb to C, and Eb to F and F to Eb. I want to be sure that I am placing it in the right place until I can throw the capo away.

    Thanks,
    Don Calton

  • Jonathan

    Hi Don – wow you’re using a lot of Eb’s aren’t you? :)

    I would recommend tuning your guitar down a half step, so the whole thing is in Eb, then from there you can change to F by capoing on the 2nd fret. There are different ways of using the capo – depending on which open chords you want to use. Have a look at the videos I’ve done on the capo, you’ll probably find them helpful.
    http://www.guitartipsweekly.com/312/how-to-use-a-guitar-capo/
    http://www.guitartipsweekly.com/446/how-to-transpose-chords-with-a-guitar-capo/

  • ean

    Hi Jonathan,

    What

  • ean

    Hi Jonathan,

    Honestly I don’t understand the above diagram that I see. What I want to know is, that i can play my guitar without looking at the note all the time even the song that I know. Your I,IV,V. GROUP CHORD was helpful. How can I improve from here. Please help! Thanks.

  • http://www.guitartipsweekly.com Jonathan Boettcher

    Hi Ean, the diagram is rows and columns.. the columns show the string number, and the row shows the fret that you need to play on each string to make the chord.

    Playing without looking just takes practice… but you’ll get there!

  • Jesse James

    The stream lining is quite bad in some of these videos and others are really good. This video is really bad. What is causing this? It is irritating.lol

  • jane

    have attempted barring, does not work so good. example A chord, after several attempts, the small e string stays muffled. i think it is the bony finger. i have been playing a while without using barr. is it possible to make much more progress without the bars?

  • http://www.guitartipsweekly.com Jonathan Boettcher

    Hi Jane,

    Yes, you can definitely make progress without using bar chords, though I would encourage you to try to start learning them – start with the easiest ones, and gradually add the others as your fingers become stronger.

  • Dr T

    Right on. Take it easy, Jonathan, use teleprompters (or equiv.) so you do not stumble…it takes time, and it is distracting.

  • Justin

    Umm, Jonathan, I have an electric, and there’s no way I’m gonna barre. It’s just too hard to learn that type of fingering,(especially for beginners). I’m still trying to learn the basics of open chords. I’m also thinking others would have the same problem as well. However, the video was nicely done. A quick way to get all of the chords played on the fretboard. [Only too hard to perform:)]
    Later

  • Justin

    You can also do a C chord by placing your index finger on the 2nd string, your 2nd finger on the 4th string, and your 3rd finger on the 5th string. (that’s the way I do it). You don’t even have to use your small finger at all

  • Michael Hughes

    How come, in the keys of Gb and F#, there are are Cb and E# notes respectively? I was led to understand that there was no Cb or E# notes as the distance from B to C and E to F is a natural semitone.
    I am referring to the major scale worksheet that I have downloaded from your members area on the I-IV-V website.

  • http://www.GuitarTipsWeekly.com Jonathan

    Hi Michael,

    The trick here is you have to follow the rules for building a scale… and those are a) that you have to use every letter name once, and b) ONLY once.

    In some scales you run into problems, like the ones you’ve mentioned, and we have to modify those notes to line up with the rules. A Cb is the same musical sound as a B, however for the sake of the scale, we have to call it a Cb in the instance you mentioned. Same with the E# / Fb.

  • Marsha Hinshaw

    I am new and I don’t understand the barre. I have never seen anyone barre like you do and I can’t do it. Why is it necessary (again, please) to barre in the first place? My fingers don’t want to stretch.

  • http://www.GuitarTipsWeekly.com Jonathan

    Hi Marsha – barring is very helpful, but when you’re starting it is probably best to focus on the open chords while your fingers get stronger and more flexible. Bar chords give you access to more chords that you can’t do easily in open forms…

  • Marsha Hinshaw

    Dear Jonathan, I understand the tones and semitones so that is under my belt. I listened to your I IV V DVD and realized that I need to learn how to barre chord so I went back and listened to that video. I am somewhat lost in your explanation of major chord patterns from the DVD. I am hoping that once I learn the barre chords and listen to the DVD again several times that I will pick up information on what you are talking about. Right now I am overwhelmed I think. Putting the dots on the fretboard has me dazzled as well and finding the same notes on different strings blows my mind. I don’t think I know my fretboard like I should so I will work on that, too. It is like a puzzle right now.

    Marsha

  • Jonathan

    Hi Marsha,

    It is a lot to absorb, especially if it is all fresh. I’d recommend going back through the DVD in another week or two, as you’ll likely get more out of it that time around. Bar chords aren’t strictly necessary, though they are indeed very helpful.

  • John Flintoft

    Hi Jonathan,
    I’m relatively new to the six string, having played bass in a school band for a couple of years . . . well over 45 years ago! I’ve been doing loads and loads of finger stretching, hand exercises, playing/learning scales, etc. for the past six months of so and have achieved a little more flexibility and dexterity than I had. However, due to the fact that I have very small hands/small, stubby fingers, I find it almost impossible to form chord shapes and when I manage a simple two-string chord then I have difficulty in getting clean and clear notes without muting the other strings. Very, very difficult . . . Usual advice is just to keep on trying. Any other advice you could please give.
    Regards, John.

  • http://www.GuitarTipsWeekly.com Jonathan

    Hi John,

    Yeah, bass is great if you have stubby fingers! :)

    For guitar though, there are different widths of neck available. Some guitars are a lot smaller than others, and this places the strings closer together, making it much more difficult for you to get those clear notes. It might be worth looking around, and if you find something that is a bit wider and works better for you, consider a trade.

    That said, there’s just more of the same old advice: work on each chord slowly, making sure you can get every single note/string in the chord ringing out clearly. It’s difficult to line up your fingers to perfection, but once you find how to get a chord clearly (and regardless of your hand size, everyone CAN get a chord working, somehow… it may take some figuring out though) – once you find the way that chord works for you, it just becomes a matter of repetition. Hope that helps somehow!

  • Susie

    Hi Jonathon,
    Great lesson, clear explanation. Haven’t quite got the hang of ‘barring’ yet, but I’m still looking forward to being able to master these chords!

  • Jim

    i was originally lead to your site thru something called Learn Rhythm Guitar. i really am only interested in the Strumming portion on your courses. how can we deal with this.

  • http://www.GuitarTipsWeekly.com Jonathan

    Hi Jim, the lessons you get by email include a mixture of things, including rhythm and strumming lessons. If you just want rhythm stuff, I’d recommend checking out the strumming section on the right, or click this link:
    http://www.guitartipsweekly.com/category/strumming/

  • John Nettles

    Hi,
    7-31-2011

    I have learnt more in the past two days,then in the last
    three years.This has been the best and most commonsense
    layout teaching material that I have ever seen.You have helped and made many people happy.People now know they can learn to play the guitar in a short time,thanks to you.

    Thank you very much.

  • Mark haokip

    Hi, Jonathan.
    When ever i play guitar its breaking, i mean there is no swift flowing sound, when i change the chords. Can you pls help me out.
    Thanks.

  • http://www.GuitarTipsWeekly.com Jonathan

    Hi Mark – improving the way you change chords mostly comes down to practice and more practice…

  • allen amos

    I find it is easier to make the barre-chord if you place the bar fingerright up against or slightly on (but not over enough to mute ttone)the metal fret. This works for me if the guitar has heavy guaged strings or strings high above fretboard.

  • Alfred

    you just have to learn how to use your right hand