Archive for October, 2009

Want to really get a handle on blues guitar?

Checkout Playing Through The Blues

There’s really no limit to what you can do with the pentatonic scale, and the absolutely coolest thing about it is that as long as you’re playing in the right key, you literally can’t go wrong with the pentatonic scale. Any single note you grab from there will work over top of whatever you’re soloing on top of.

A fun exercise you can do to convince yourself of this fact is to strum a couple of chords, then pick at random a note from the pentatonic scale, then play the next 2 or 3 notes in the scale, then strum another chord.

You literally can’t go wrong. It’s awesome!

This shuffle is fun to play and sounds nice and bluesy. Plus, it gives you tons of room to noodle over.

Bored playing it clean? Hit the talent button and crunch out a bit!

Questions or Comments? Leave one below!

Video Problems? Watch it on YouTube

50 Blues Guitar Backing Tracks Banner 1

Improvising really isn’t as difficult as you might think. I know many of you have probably been trained in the school of “play what’s on the page, dummy -- and don’t deviate!” but that really doesn’t do anything for you when it comes time to improvise or create a solo. You’ll find I maintain a fairly strong emphasis throughout these videos on how to develop your own skills improvising with the guitar.

Questions or Comments? Leave one at the bottom of the page!

Here’s a sneak peak review video I did for Playing Through The Blues by Griff Hamlin:

Checkout Playing Through The Blues

Playing Through The Blues, by Griff Hamlin, is a solid course that will teach you how to play the blues guitar. I’ve looked through the course extensively, and below (and in the video above) you’ll see my observations.

Requirements:

  • You must have a good handle on all the basic chords. Barre chords, all the open chords, major, minor, diminished, and seventh chords are a good start.
  • You must understand and be comfortable with reading and using tablature or musical notation (staff). All the sample solos, licks and riffs are notated using both of these methods, although there are also video examples for nearly everything which help a lot.

The Good:

  • Griff gives examples for everything, both audio and video.
  • Everything is notated so you can follow along with tab or sheet music style.
  • Griff uses “boxes” to describe different scale patterns which gives him an effective way to refer to different patterns during the lessons.
  • Lots of sample riffs and licks to give you ideas
  • Several sample solos complete with video tutorial, notation, audio examples, and jam tracks. Being able to play solos of this caliber is basically the goal of the program.
  • Several famous blues songs broken down in fine detail. Griff shows you how to play them using the techniques the “masters” used (BB King etc)
  • Members only blog where Griff personally answers questions related to the course
  • 56 Day Guarantee on the product: if you’re not happy, you get your money back

The Bad:

  • No DVD option so you have to download everything (not a big deal, but it might affect the odd person or two).
  • Not much emphasis on theory, which in my opinion is critical to understanding the guitar, and how to play it. However, he does give you what you need to know, even if he doesn’t always explain why or how, from a theory perspective. I realize some of you actually view this as a positive, but hey — I’m the one doing the review! =)

Conclusions:

If you’re familiar with chords and tab, and want to learn blues guitar, then this is likely a good course for you. I would rate this course as good for most beginners, and even some intermediate players. However, if you’re already comfortable composing your own solos in major, minor and pentatonic scale patterns, then you probably won’t learn a whole lot beyond the specific riffs and solos that Griff teaches (which are nonetheless handy ones to have in your toolbelt).

Checkout Playing Through The Blues

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