I’ve decided to start a series of videos for the guitar riff lessons. Hence the name “Cool Guitar Riffs #2.” Mostly because I’m running out of things to call them, so why not start giving them numbers?
I once had one of those Siamese fighting fish as a pet, and I wasn’t sure if he would live very long, so I named him Louis, in case I needed to start a dynasty…
Anyways, guitar riffs are a lot more fun than dead fish, so back on topic here! Today I’ve got one for you that uses fourths, and the A pentatonic minor scale. That’s the first riff in the video, and I’m sure you’ve heard this style of riff all over the place. It’s a pretty classic sound. Keep in mind that these riffs can sound very different if you simply turn off the talent button and play clean for a moment, or if you just change up the timing a little bit.
The second riff comes out of the A diatonic minor scale, root 5 -- also known as the Lydian scale if you like being technical about it. I find it more intuitive to talk about these scales in terms of what they are (A minor diatonic) and where they start (root 5 = 5th string… think about it… that means you’re starting on the 5th string, 12 fret, where you find the A). I’ve never related well to the technical terms like Lydian, Dorian and all the rest, and by and large I don’t find the terminology particularly helpful.
But there’s my rant for the day -- go ahead and hit play, watch the lesson, and then leave a comment below the video when you’re done!
In this video lesson you’ll learn how you can cut your bar chords down to size, and still get a great result.
The cool thing about this is that it takes a lot less finger strength to make the chord (you’re not actually barring it), and in addition, you’re getting a totally different and unique sound now from the something you already knew!
The basic idea here is that you take the exact same notes you were playing in whatever bar chords you’re using, but now you just hack the chord in half and only play the top 3 or 4 strings on your guitar.
This really gives the chord a higher sound, which can really help cut through the rest of the band, and it can stand out very nicely from another guitar player who is using the same chords, but perhaps is playing them as open chords instead.
Practice these two patterns -- the major pattern and the minor pattern, and get used to thinking about the root note being on the first string instead of on the 6th string.
The other pattern in there that I realized I didn’t show too clearly is just an open D form, but moved up. The root note for that one comes off the second string.
Here’s another lesson for you riff-hungry rocksters out there!
One cool way that you can start looking for new chords to use is to examine the top few strings of the bar chords. Here’s a tip -- if the notes are used in a chord, then they’re going to sound great together in a solo!
In fact, using different intervals that come from chords is a great way to break out of the rut of sticking too close to the scale when you’re improvising.
So without further ado, here’s today’s guitar tip.
If you’ve watched my Guitar Scale Patterns lesson, you’ll know that one of the things that I mention in there is the octave pattern. I think I’ve mentioned this in previous lessons as well. It’s a super handy little tool to find notes on the fretboard, without having to memorize the whole neck right off the bat.
Apart from that, octaves also sound good. If you play bass, I recently did a little lesson on using octaves on the bass. Pretty much any instrument you’re on though, octaves are going to sound great.
So today I’m going to show you very simply how you can use that octave pattern and make up some of your own riffs using it.
Check it out, then leave a comment and let me know what you think.
